Grellow

One of my favorite color combinations is gray and yellow. My new kitchen floor and backsplash are examples of that, although with the yellow turned way down.  Add in a warm brown, and it really helps with the rather washed out falls and winters around here.

So when we got our new living room couch a while ago, I inevitably chose a rather gray toned brown fabric, to go with the accent walls my sister painted yellow for me.

But a new couch demands a new quilt, right?

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I actually made the top last winter, and pinned the quilt sandwich in my school library the day I had to stay late for evening graduation back in June.

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But then my beloved Juki had to go into the shop to repair a broken part, and ended up having to be mailed back to the factory when the injury proved serious.  It was gone all summer, and my Brother machine, while excellent in its way, doesn’t have the harp space or the heavy duty power to quilt easily.  So the WIP waited until summer ended and the Juki finally returned.

By this point, I really needed it to get done, if only to reclaim the pins.  I have enough projects sandwiched and ready for quilting that I was running out of the curved safety pins.  Only a small pile remained.

I auditioned a few thread colors: gray, variegated, a dark brown.  I liked the dull gold of a 50 wt. Aurifil best for tying all the fabric colors together.   I chose a fairly simple quilting, just double echoes of all the seams, so it went fast.  As you can see in the photos, the quilt is made up of 10” squares, half square triangles, and four patches of 5” squares.  Not at all fancy, but bright and rich colors that I love together.

Add a binding made of the remnants of the backing fabric after trimming and it is exactly what I wanted for keeping warm on the couch.

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Summer progress

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Finally on summer vacation!  And then I made the mistake of watering all the new plants in the garden, and a sudden rain storm blew in.  My fault – I should have know better than to temp the rain gods like that.

But it made for a lot of available sewing time.  I’m back at work on the Growing Up Odd quilt, chain stitching the little squares and building the different sized blocks.

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I’ve finished the 7×3 and 7×7 blocks, 16 of each, and I have 34 of the 48 3×3 blocks done.

I tried hard to not duplicate fabrics in the same blocks.  That was easy in the nine patches, but harder when it was a 49 square block, sewn together randomly in chunks.  There is usually at least one repeat.

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Sashing next.  I’m planning to quilt it in strips to make it more manageable, though the actual quilting will have to wait until I get my Juki back from the shop.  My smaller Brother machine is great for regular sewing, but it doesn’t like too much bulk under the needle.

I also finished up my ribbed scarf knit with a variety of coned yarns.  I’m trying to clear up space in the craft storage.  It is entirely 1×1 ribbing, so it made a great work project I could pick up during lunch or faculty meetings.  No pattern or thought needed.

While I was knitting it the yarns were thin and almost cotton like – coned yarns still have oil on them as they were meant to be used on machines – but once it was done and hand washed in hot, soapy waters, and then dried on the hammock, the yarn softened and bloomed. Definitely a cold weather accessory, so it will be put away for awhile.

Odd patches

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No finishes this week – unless settling on a kitchen remodel design counts? – but I did make a new start.

I’ve been sewing lots of little squares together in spare bits of time.  There hasn’t been a lot of spare time, because spring means getting to the neglected yard work and we’re also been spending a lot of time looking at cabinets and countertops, but I have gotten some sewing done.  The dining room table is lost beneath all the scraps and cutting boards and irons.

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For quite a while I’ve been cutting up leftover fabric after each project into whatever square sizes will fit.  Five inch if possible, some 4 1/2″, and the rest become 2 1/2″.  The littlest ones were really starting to pile up, although for once they were piling in neat little stacks instead of a mound.  Some effort to be organized is going on, though my family would deny it.

I found an online pattern called Growing Up Odd that uses up a multitude of squares – 2,425 of them in the original pattern!

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I separated out the lighter and brighter fabrics for the most part and stuck to the darker tones, but other than that it is very eclectic.  There are batiks and 30s style little florals and the occasional giraffe.  Everytime I pick up a square I remember the quilt or bag or basket that came before it, which is what I love about scrappy quilting.

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The original calls for 2″ squares, and mine are 2 1/2″, so I’ll be making fewer blocks or it would swamp any bed we have.  I haven’t decided yet if I’m going to try for a king size, which would mean quilting it in pieces and then attaching them so I can handle it on my home machine, or if I’ll scale it down to the usual generously sized twin.  We use those so much around the house, but I really need a king size quilt for the summer months when the down comforter is too hot.  I’m just not sure this is the pattern I want for the bed – I have a picture of giant flying geese in my head for that one.  On the other hand, I don’t have all the fabrics that I want for the geese, and we could probably stand to have more than one large quilt as an option.

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Not a decision I have to make at the moment, which is good because my head is stuffed with kitchen backsplash tile options with little room for anything else – why are there So Many Choices!?  I can just keep mindlessly chain piecing little squares when I can’t look at tiles anymore.  It is soothing.  I have 50 9-patch squares done, and a lot more little 3-patches to join together.  Chain piecing goes so quickly, but I’m going to need a lot more.

 

So sick of this quilt

After over three years, my son’s long wait is over – I finished his Oceans quilt.

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There are many hours of happy sewing on this quilt.  I really loved the process of putting the many blocks together.  Paper piecing became a favorite activity.  I’m in awe of Janeen Van Niekerk and Linda Hibbert’s abilities to design the block patterns.  The jigsaw puzzle aspect of getting the blocks to fit together was fun.

But I am so, so sick of this quilt.  I can barely look at it, folded up on the sewing pile.  I don’t want to see blue batik fabric again for a very, very long time, to the point that I may cover bury it under some yellow and orange yardage.

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It isn’t like I didn’t sew a lot of other things in between Ocean bouts.  That’s why it took three years!  But for the last few months, even when I was working some other project, I couldn’t escape it.  Either a nagging little voice in my head said I needed to get back to it, or a large nagging voice standing next to me in the form of my younger son declared that I obviously didn’t love him since I hadn’t finished his quilt.  (He is good with the guilt, that boy!)  Pulling fabric for other quilts, surfing quilts on Pinterest and blogs, working on little sewing projects or knitting lace – I felt like I was neglecting a duty the whole time.

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But now it is done!  I’m free again!

If I ignore all the other unfinished WIPs . . .

But at least they don’t have a representative family member to harangue me about them.

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And, it turned out just as I pictured it in my head, and more importantly, how my son pictured it in his head.

We chose fabrics that lightened from bottom to top, like the ocean does from deep to shore.  I quilted it in two ways – individual outlining and details for the creatures, and wavy water lines to suggest waves for the background.  I changed thread colors (when I remembered) from deep navy to a lighter blue as I progressed up as well.

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Even a potential disaster turned into a plus.  When I washed and dried it to bring out the crinkles, I forgot to put a color catcher sheet in, and the dark red fabric pieces bled just a little.  It didn’t really show in most areas unless you look really closely, but around the mouth of the shark, the white jaw got a little bit of a red stain.  My son and I agreed that it made it look even more vicious, the little suggestion of bloody teeth.  He’d actually asked me once to embroider on some blood, so he was really happy about it.

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This quilt is going to get used a lot.  It may not survive all the washings for very long, and I know for a fact that a dog is likely to sleep on it while its boy sleeps under it.  But however long or short its life, this quilt is going to be well used and well loved, which is the point of it all, right?

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Little houses

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We’ve done a lot to our house lately (new floors, ceilings, windows, skylights, closets, doors . . .) but one very neglected area is the walls.  There has been some painting, courtesy of my sister who actually likes to paint walls, a fact I am taking the utmost advantage of.  But other than that, the walls have been left pretty much alone.

Our last house didn’t have a lot of open, bare walls, so we really don’t have enough pictures to hang up.  Those we do have I’ve gradually gotten up around the place, but there is still a lot of open, empty space.  And I’ve been suffering from terminal indecision about buying new wall decor, so it has been months of staring at emptiness.

This weekend I made a small step towards improving the situation.  I used a Johanna Masko paper piecing pattern to create a small wall hanging for the entryway.  I love it!  It is made from various quilt scraps in warm tones that go with the yellow accent walls and the gray/brown living room furnishings.

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This was a very fun and fairly quick project. It would have been quicker if I’d done a better job of fabric scrap selection on a couple of sections.  I ended up making one of the trees twice and the modern ranch house twice as well.  The tree didn’t have enough contrast the first time, and the way the ranch fabric lines didn’t line up bugged me until I remade it.  Which is ridiculous, because I replaced it with a floral which is not more believable in a house siding, but when I kept going back and staring at it I knew I wasn’t going to be able to look at those offset lines every day up on the wall.

It also made for quite a messy work area as I tossed through all my scrap bins looking for the right pieces to include.

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It is minimally quilted with just outlines around each house and tree and I put on a very narrow binding, the first one in a long while that I’ve hand stitched instead of machine stitching.  I confess that that was less a design choice and more a factor of the fact that somehow I lost my focus (and/or mind) and cut the binding at 2″ wide instead of 2 1/2″.  So there wasn’t a lot left to wrap around to the back and I was worried I’d miss it with a machine sewn line.

It is hanging on the small wall that is the side of our coat closet, just where I’ll see it first thing every time I come in the front door.  I don’t think I’ll tire of it quickly.

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My son, on the other hand, is very bitter that it is not his quilt.  I really had better get to pinning that soon!